Shooting on RED is a topic that many in the industry seem to have in common. When it comes down to it, the RED cameras are not the cheapest, but there’s a reason why filmmakers choose to pay the money. In my opinion, they’re the most versatile cameras in Hollywood. But don’t take my word for it. Take a listen at what my friend Patrick Lawler has to say about it.
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Gear used for this episode:
- Camera – Sony a6300
- Lens – Sony 20mm f/2.8
- Microphone – Rode Broadcaster
- Mixer – Zoom H6
- Headphones – Samson RTE Noise-canceling Headphones
- Light – Dracast SoftRay LED 400
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